Postmodern Jukebox (SITE | FACEBOOK | TWITTER | INSTAGRAM) is performing at Dr. Phillips Center for the Performing Arts on Tuesday, October 18, 2016 at 7:30pm.
Fans can pre-order tickets next Wednesday, April 20, 2016 before the general public at postmodernjukebox.com.
Tickets on sale Friday, April 22, 2016 at 10 a.m. and start at $39.50 and may be purchased online at drphillipscenter.org, by calling 844.513.2014.
(Press Release Below)
The tour follows PMJ’s current 75-date almost completely sold-out international run. This year, they return to the Big Apple on October 7th to play Radio City Music Hall, a historic venue with a seat capacity over 6,000.
In 2015, the group's sold-out tours of Australia and the United States prompted the Buffalo News to proclaim, “Postmodern Jukebox is literally a postmodern success, extending its reach from the virtual to the real world, touring and performing around the globe for an ever-growing fan base.”
Created by Bradlee, the rotating collective of Postmodern Jukebox has spent the past few years amassing more than 450 million YouTube views and 1.9 million subscribers, performed on “Good Morning America,” topped iTunes and Billboard charts and played hundreds of shows to packed-house crowds around the world. As NPR put it, they’ve done this by “taking current Top 40 hits and re-imagining them as coming from older eras of popular music.” In one such remake, Bradlee and Postmodern Jukebox turned Miley Cyrus’ “We Can’t Stop” into a doo-wop ditty that’s garnered over 15.4 million views. Last year, they envisioned Radiohead’s alt-rock hit “Creep” as a torch-like ballad that’s racked up over 16.9 million views and was named one of the “9 Best Viral Cover Videos of 2015” by People magazine. Multi-Grammy winning artist Lorde praised Postmodern Jukebox’s vintage take on her hit single, “Royals,” which has been viewed over 15.3 million times, as her “favorite.” They recently performed a ‘30s jazz remake of Elle King’s “Ex’s & Oh’s” for MTV UK – click HERE to watch.
The group's accomplishments has earned them praise from a plethora of media outlets, including Mashable, who wrote, “Scott Bradlee’s Postmodern Jukebox are all about reimagining music and framing it in beautiful new ways.” Entertainment Weekly wrote, “Scott Bradlee’s group is known for retro-fying modern hit songs into viral success.” Yahoo! Music added, “if you’ve been on YouTube in the last couple of years, then you’re familiar with the everything-new-is-old-again brilliance of the viral phenomenon known as Postmodern Jukebox.”
Created by Bradlee, the rotating collective of Postmodern Jukebox has spent the past few years amassing more than 450 million YouTube views and 1.9 million subscribers, performed on “Good Morning America,” topped iTunes and Billboard charts and played hundreds of shows to packed-house crowds around the world. As NPR put it, they’ve done this by “taking current Top 40 hits and re-imagining them as coming from older eras of popular music.” In one such remake, Bradlee and Postmodern Jukebox turned Miley Cyrus’ “We Can’t Stop” into a doo-wop ditty that’s garnered over 15.4 million views. Last year, they envisioned Radiohead’s alt-rock hit “Creep” as a torch-like ballad that’s racked up over 16.9 million views and was named one of the “9 Best Viral Cover Videos of 2015” by People magazine. Multi-Grammy winning artist Lorde praised Postmodern Jukebox’s vintage take on her hit single, “Royals,” which has been viewed over 15.3 million times, as her “favorite.” They recently performed a ‘30s jazz remake of Elle King’s “Ex’s & Oh’s” for MTV UK – click HERE to watch.The group's accomplishments has earned them praise from a plethora of media outlets, including Mashable, who wrote, “Scott Bradlee’s Postmodern Jukebox are all about reimagining music and framing it in beautiful new ways.” Entertainment Weekly wrote, “Scott Bradlee’s group is known for retro-fying modern hit songs into viral success.” Yahoo! Music added, “if you’ve been on YouTube in the last couple of years, then you’re familiar with the everything-new-is-old-again brilliance of the viral phenomenon known as Postmodern Jukebox.”
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